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By Heidi James


Your treasured daughter becomes a killer jihadi bride.  What do you say to the mother of one of her victims?

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Realism, Relationships/Family

Story Details

  • Title : Sentimental
  • Author : Heidi James
  • Word-Count : 2109
  • Genre : Family/Relationships, Realism

About The Author


Heidi James’ novel Wounding was published by Bluemoose Books in April, 2014. She was a finalist for the Cinnamon Poetry Collection Prize. Her novella The Mesmerist's Daughter (published by Apis Books) was launched in July 2007 and will be re-released by Neon Press in October 2014. Her novel Carbon, was published by Blatt in October 09 and is published in Spanish by El Tercer Nombre. Carbon is currently being made into a film by British film company, Institute for Eyes. Her most recent collaboration with Gwyneth Herbert, The Sea Cabinet, attracted outstanding reviews from The Guardian, Vogue and The FT, among others. Her essays, poetry and short stories have appeared in various publications and anthologies including Dazed and Confused, Next Level, Flux, Brand, Mslexia, Another Magazine, Undercurrent, 3:AM London, New York, Paris, Dreams That Money Can Buy, Neon, etc. She has an MA in Creative Writing and a PhD in English Literature.

It’s true I’m sentimental.  Soppy, she said, teasing me about the little mother of pearl box filled with her baby teeth, the lacy blanket we wrapped her in to bring her home from hospital, her school report cards, her first shoes with scuffed toes, her favourite doll; all safe and sound in a trunk in the spare room.  The trunk had been my great-grandfather’s, his initials are stamped on the metal lid, it had travelled all the way to India and back with him. Her lace christening gown still hangs in my wardrobe, next to my mother’s fur coat. My wedding dress is wrapped in special tissue paper and boxed carefully to prevent it yellowing and to keep the moths – and time – out. All these things I keep, memories to ward off loss or simple forgetting.

There were no clues, of course. Nothing in the ordinary day-to-day routine that warns you that your life will come to this. That doesn’t stop you wondering though; thinking back to sugary cereal mornings, birthdays with cake and jelly and mountains of discarded wrapping paper, remembering scabbed knees and days at the beach, being stuck in traffic in a hot car and Christmas with family and presents and games of Scrabble.  There is nothing you can think of, no sign that your child, your daughter – the apple of your husband’s eye – will grow up and go to university and then, vanish, leaving you fearing the worst, the absolute worst. But still you search for signs as if that might change things, or make sense of it all. And then she reappears, only you don’t know her anymore and she’s a killer. And that’s when you discover, that there are worse things.

‘This is all that we hate’ she said. Her face half-hidden by a scarf, but her eyes – blue like my mother’s – and her voice were unmistakable. She is on film, a film the police brought to show us. ‘Is this her?’ they asked, gently. I looked at the figure on screen, cloaked in black, gesturing to a young man at her side. He is on his knees, his head bowed. His hands tied behind his back. He is a journalist. He is your son. ‘We hate the messengers of your evil hegemony, your peddlers of lies. We hate your false freedoms and your worship of money.’ She is my daughter.

There’s a photo of her, aged four or five, she looks straight at the camera, her lips halfway to a smile. We were on holiday, somewhere in France, and the beach behind her stretches out for miles. I remember her standing with me at the top of a dune, her little feet pressing into the sand. ‘There’s just so much nothing,’ she said, her eyes, so much like my mother’s, wide with fear, her little hand gripping mine. Was that it? Was that a clue? Something so simple, so ordinary?

She used to hold her dolly so carefully, as if it were a baby, cradled in the crook of her arm. Gentle and placid, she was good. So good. She took her responsibilities seriously. She fed her hamster, she cleaned her room. She raised money for hungry children in Africa and cried herself to sleep when she saw pictures of their suffering. She was a girl guide, and helped at the old people’s home. She practiced her piano. She grew up and had friends, even a boyfriend. She learnt to drive. She was studying History at University. She was never any trouble. She had a bright future. This is all we hate, she said.

‘At least she’s alive’, my sister-in-law, Valerie, said. She still visited then, braving the journalists gathered around our garden gate and the nasty looks from our neighbours.

‘I’d rather she was dead,’ my husband said and left the room. His tea cooling in the Spurs mug she’d bought him for Father’s Day. She smiled, gap-toothed, from her school photo propped on the mantle piece and I wondered if even then, she hated us, if the death of your son was already a part of her. My eight-year-old daughter. Her blue eyes like my mother’s.

‘He doesn’t mean it,’ Valerie said, reaching over to pat my knee.

‘He blames me.’

‘Surely not. She’s a grown woman, making her own choices. How could this be your fault? He’s just upset, that’s all. He’s never been very good in situations like this. You know what he’s like.’

‘People always blame the mother.’

‘What have the police said?’

‘Not much. Only that she’s married now.’

‘Right. Obviously she’s been brainwashed, probably at that university of hers. This is so out of character. She was always such a good girl.’

We heard the front door slam and the stiff shouts of the journalists. I want to write to her and tell her – you broke your father’s heart – but then I remember, this is all we hate. And don’t.

We were so lucky. The doctors reminded us, reminded me, just how lucky we were, I was, being so old, having waited so long. The injections and tests and procedures and scans had worked. We had given ourselves over to the process and it succeeded. Perhaps we were never supposed to be that lucky. We’d tricked fate but it couldn’t last, we couldn’t actually keep her. Was that it? I’d pushed my luck too far?

The police took her computer and found emails and messages on her Facebook page, messages about jihad, and western devils and suffering, starving children; they found instructions to fly to Turkey and then how to cross the border into Syria. There were offers of marriage, and congratulations that she had the grace to see the glory of Allah. She called herself a warrior and a martyr. She changed her name; she calls herself Azraa Zadeh. Azraa, it means pearl, or so I read.

My mother gave her a string of pearls for her eighteenth birthday. They were a gift from my father when I was born. My mother told her how he’d doted on me, and how he would’ve loved her if he’d been alive to meet her. Emma had loved the necklace, wore it often. She was wearing it the last time we saw her. Someone told me that pearls were unlucky, that they symbolise tears. Perhaps that’s it? Perhaps the trouble began then, when I was born. This is all we hate. What does that mean?

The last time we saw her. I’d made her favourite, a proper roast with beef and potatoes and Yorkshire puddings. She ate it all, I remember that. There was a small disagreement with Mike, just before I served the apple crumble, about politics. She said, ‘But surely, you can see that our government’s foreign policy makes us all culpable.’ And Mike squinted at her and rubbed his chin and sighed, ‘If only things were that simple.’ But that was all, a discussion, nothing serious. In fact, I felt very proud of them both, discussing the world together like that. I remember it clear as day, that feeling. There was no tension, no anger. Was that it? Was that the sign? How could it be? How could I have known? We finished lunch and watched a film cuddled up on the sofa. It was raining outside. I remember. She hugged us both when she left, said ‘I love you.’ I wouldn’t forget things like that. Now she calls herself Azraa. Azraa.

I wonder if she still likes to eat peanut butter straight from the jar, sucking on her fingers. Can you buy peanut butter where she is? Is To Kill a Mocking Bird still her favourite book? Or are those things, is that girl erased? Replaced like her name with new tastes and a new history, one that produced a woman who can kill and, so the police say, train other young women to wear explosives tight against their bodies and make weapons of themselves. Everything is connected, everything. I see that now.

The police say that even if she wanted to, she wouldn’t be allowed to leave, the terrorists wouldn’t let her.  Apparently they treat the women like slaves, like animals. They have no freedom, no choice, they must only serve their husbands, the fighters. I don’t know what to believe anymore. It’s possible they want to comfort me, these police officers I speak to and see more often than any friends or family, but then it’s possible Emma is right and it’s fearmongering and lies. Which is worse? That my daughter is happy and well and doesn’t ever want to come home? Or that she is desperate and terrified and held prisoner? I have no idea what to think anymore and yet I used to feel so sure of the world.

When she was tiny, she couldn’t say Emma, so she called herself Mema. My little Mema. It stuck, along with all the other words she couldn’t pronounce; bippies instead of sandwiches, woozies for cuddles. Mema. Mema want woozie, mummy. I wish I could keep these words, this family language in a box. To be able to hear her voice again. My precious girl. Was that it? Mike said I spoilt her, was that it?

I think about your son. I know he was accomplished, and handsome. I kept all the clippings from the newspaper. Mike said to stop torturing myself, to throw them away. Was he always a kind boy? Was he always brave? I think about you and how you spend your days knowing he won’t be back. Do you sometimes find yourself stirring a pot on the stove or watering the plants and forget how you got there? How you got here? What brought us to this? You have other children, two daughters, a son, I read. I’m so glad. That helps, I think. I hope.

She really did break Mike’s heart. He died last January. They found him in his car, ready to drive home from work. The key was in the ignition, his briefcase on the passenger seat. He looked like he was sleeping, they said. The security guard found him, still parked in the company garage, but it was too late. There was nothing anyone could do.

Hardly anyone came to the funeral, not our old friends, or family even, they blame us, of course they do, but it was unforgivable not to come. He didn’t deserve that. Valerie came, and his work colleagues; I’m grateful for that.

I wish I could remind her of who she was and who she could be again. I’ve read the Koran and I think I see the beauty she sees, but not the violence. Not the hatred. I can’t understand the hatred. Perhaps if I can remind her who she really is, I’ll remember who I am, because I’m not sure anymore. I was a wife, a mother, a schoolteacher. I had friends, colleagues, a family. Ordinary blessings. Now I’m something else. But I don’t know what.

Mike said it was me that she hated; that I suffocated her with my love, with my need for her. He said I hadn’t paid attention, that I saw only what I wanted to see and I hadn’t seen that she wanted to be someone else. Perhaps he was right, and I was at fault all along. But still I think, why this?

There was an argument, an outburst, once. Meaningless, I thought. A teenage tantrum, just one of those things. Completely normal. ‘You’re both hypocrites,’ she’d said, ‘liars and hypocrites.’ I can’t even remember how it started, something she’d misheard, an argument we were having, a misunderstanding between Mike and me. All couples have them, don’t they? She wasn’t gone for long, the police found her at her friend’s and it soon blew over, we never mentioned it again. And yet – was that it? This is all we hate. Was that it? Liars and hypocrites.

I’ve kept the photo of your son from the paper. I look at it when I miss her so much I could forgive her anything. I look at him and remember all you’ve lost. All we’ve lost. I want to ask you if you’ll forgive me, if that’s possible. I want to ask her if she’ll forgive me and I know that’s impossible. This is all we hate. Mike was right. She meant me. Her blue eyes just like my mother’s. I’ll just have to wait. I’ll wait.



Heidi James asserts the moral right to be identified as the author of this work


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